The JX-3P Matrix Upgrade features:-
•
1024 Tones & 8 Sequences can be stored and edited, Sequences can be optionally linked to tones. It is also possible to edit any Tone or Seq.
•
A Pulse Width Module is included with the Kiwi3P Matrix. This allows Pulse Width control and waveform mixing.
•
After tuning during the Kiwi-3P Matrix upgrade install a Saw wave tuning offset keeps the wave shape correct for all voices across the full range. Due to component
tolerances this is not possible on the original JX-3P hardware.
•
A Chorus Control board is included with the Kiwi3P Matrix. This allows variable Chorus Rate and manual control.
•
Saw, Pulse Width & Square Waveforms can be solo or mixed in any combination.
•
Sysex support for all and MidiCC for most parameters, Midi Sysex support for Tone Dump & Load
•
Patch Editor Control of Parameters (requires PE v 8.3 or later)
•
MidiQuest 12 includes editors for all the Kiwi range and it will work with any midi editor. The manual has full midi details.
•
Full Matrix system with 29 Source and 40 Destination types.
•
Key Assign Modes are Poly Single, Poly Dual, Poly Triple, Unison & Solo
•
Each Key Assign mode can have Rotate/Reassign, Staccato/Legato, Steal/No Steal with five steal modes (Highest, Lowest, Oldest, Newest, Quietest)
•
Portamento in all key modes
•
Note Detune available in all key modes, DCO 1 & 2 have separate Tune controls (±12 semitones) and DCO2 has a Fine Tune (±50 cents). There is also an Analogue
Feel parameter that adds a small random detune to notes.
•
Master Synth Fine Tune adjust in both hardware and software.
•
Three independent envelope generators. These are traditional ADSR type and are modeled on the Original JX-3P. Each ENV Mod can select from ENV 1 - 3 and has
an Inverted or Normal modes. These are faster than the traditional JX-3P envelopes and are matrix sources.
•
Three independent Low Frequency Oscillators with 6 waveforms each. Each LFO Mod can select from LFO 1-3 and they are a matrix source. LFOs can be plus and
minus base note or plus base note only.
•
Midi Note Aftertouch (Channel & Note), Midi and Internal Modulation Level and Midi Note Dynamics are all Matrix sources and can be sent any Matrix Destination.
•
LFO Button is a Matrix Source and can inject mod control to any matrix destination.
•
Bend Lever is coded to DCO Frequency for Bend but is also a Matrix Source which can be sent to any Destination
•
Front panel editing is available for all parameters. These can be edited via midi or the PG-200 (supported only).
•
Master, Sequencer and Arpeggiator clocks can optionally display on the front panel
•
Key transpose allows transposition to any key. The range for this is -1 Octave to +2 Octaves
•
CHORD MODE
•
Any chord with up to 6 notes can be set and played from any key
•
ARPEGGIATOR
•
The Arpeggiator is clocked from the Master Clock and can be independently divided to Half Note, Quarter Note, 1/8 Note, 1/8 Note Half Swing, 1/8 Note Full Swing, 1/8
Note Triplets, 1/16 Note, 1/16 Note Half Swing, 1/16 Note Full Swing, 1/16 Note Triplets, 1/32 Note, 1/32 Note Triplets, 1/64 Note.
•
Arp modes are Up, Down, Up and Down, Random, As Played, 1, 2, 3 or 4 octaves
•
Arp can be Started, Stopped & Continued using Midi Commands
•
Appeggiator will Output Midi Data
•
SEQUENCER
•
8 separate 124 Max step Polyphonic sequences can be created and stored
•
Sequences can be edited
•
The Sequencer is clocked from the Master Clock and can be independently divided to Half Note, Quarter Note, 1/8 Note, 1/8 Note Half Swing, 1/8 Note Full Swing, 1/8
Note Triplets, 1/16 Note, 1/16 Note Half Swing, 1/16 Note Full Swing, 1/16 Note Triplets, 1/32 Note, 1/32 Note Triplets, 1/64 Note.
•
Sequencer can be Started, Stopped & Continued using Midi Commands
•
Sequencer will Output Midi Data
•
PG-200
•
PG-200 support where possible (see manual)
•
PG-200 will output midi data
Product Overview
The JX-3P Matrix Upgrade features:-
•
1024 Tones & 8 Sequences can be stored and edited, Sequences can be optionally linked to tones. It is also possible to edit any Tone or Seq.
•
A Pulse Width Module is included with the Kiwi3P Matrix. This allows Pulse Width control and waveform mixing.
•
After tuning during the Kiwi-3P Matrix upgrade install a Saw wave tuning offset keeps the wave shape correct for all voices across the full range. Due to component
tolerances this is not possible on the original JX-3P hardware.
•
A Chorus Control board is included with the Kiwi3P Matrix. This allows variable Chorus Rate and manual control.
•
Saw, Pulse Width & Square Waveforms can be solo or mixed in any combination.
•
Sysex support for all and MidiCC for most parameters, Midi Sysex support for Tone Dump & Load
•
Patch Editor Control of Parameters (requires PE v 8.3 or later)
•
MidiQuest 12 includes editors for all the Kiwi range and it will work with any midi editor. The manual has full midi details.
•
Full Matrix system with 29 Source and 40 Destination types.
•
Key Assign Modes are Poly Single, Poly Dual, Poly Triple, Unison & Solo
•
Each Key Assign mode can have Rotate/Reassign, Staccato/Legato, Steal/No Steal with five steal modes (Highest, Lowest, Oldest, Newest, Quietest)
•
Portamento in all key modes
•
Note Detune available in all key modes, DCO 1 & 2 have separate Tune controls (±12 semitones) and DCO2 has a Fine Tune (±50 cents). There is also an Analogue
Feel parameter that adds a small random detune to notes.
•
Master Synth Fine Tune adjust in both hardware and software.
•
Three independent envelope generators. These are traditional ADSR type and are modeled on the Original JX-3P. Each ENV Mod can select from ENV 1 - 3 and has
an Inverted or Normal modes. These are faster than the traditional JX-3P envelopes and are matrix sources.
•
Three independent Low Frequency Oscillators with 6 waveforms each. Each LFO Mod can select from LFO 1-3 and they are a matrix source. LFOs can be plus and
minus base note or plus base note only.
•
Midi Note Aftertouch (Channel & Note), Midi and Internal Modulation Level and Midi Note Dynamics are all Matrix sources and can be sent any Matrix Destination.
•
LFO Button is a Matrix Source and can inject mod control to any matrix destination.
•
Bend Lever is coded to DCO Frequency for Bend but is also a Matrix Source which can be sent to any Destination
•
Front panel editing is available for all parameters. These can be edited via midi or the PG-200 (supported only).
•
Master, Sequencer and Arpeggiator clocks can optionally display on the front panel
•
Key transpose allows transposition to any key. The range for this is -1 Octave to +2 Octaves
•
CHORD MODE
•
Any chord with up to 6 notes can be set and played from any key
•
ARPEGGIATOR
•
The Arpeggiator is clocked from the Master Clock and can be independently divided to Half Note, Quarter Note, 1/8 Note, 1/8 Note Half Swing, 1/8 Note Full Swing, 1/8
Note Triplets, 1/16 Note, 1/16 Note Half Swing, 1/16 Note Full Swing, 1/16 Note Triplets, 1/32 Note, 1/32 Note Triplets, 1/64 Note.
•
Arp modes are Up, Down, Up and Down, Random, As Played, 1, 2, 3 or 4 octaves
•
Arp can be Started, Stopped & Continued using Midi Commands
•
Appeggiator will Output Midi Data
•
SEQUENCER
•
8 separate 124 Max step Polyphonic sequences can be created and stored
•
Sequences can be edited
•
The Sequencer is clocked from the Master Clock and can be independently divided to Half Note, Quarter Note, 1/8 Note, 1/8 Note Half Swing, 1/8 Note Full Swing, 1/8
Note Triplets, 1/16 Note, 1/16 Note Half Swing, 1/16 Note Full Swing, 1/16 Note Triplets, 1/32 Note, 1/32 Note Triplets, 1/64 Note.
•
Sequencer can be Started, Stopped & Continued using Midi Commands
•
Sequencer will Output Midi Data
•
PG-200
•
PG-200 support where possible (see manual)
•
PG-200 will output midi data
