The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It’s the best of both worlds… The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO’s, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analog circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analog filter, VCA, and final output, as these provide the best sonic qualities.
The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.
The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO’s, six morphing envelopes, six primary multimode analog filter types, a main analog VCA, and numerous internal modulation routings and VCA’s controlling modulation amounts.
It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.
The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it’s own unique self-contained instrument.
The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analog and digital waveform generations. With features like oscillator Sync, PWM, our new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO’s, envelopes, and VCA’s per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.
The five LFO’s provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO’s, complex envelopes, or audio rate oscillators.
The six morphing envelopes are really something else. With each envelope providing initial Delay, Attack, Hold, Decay, Sustain, Release, as well as a loop time when they are set to Repeat. Ultra precise and snappy they provide envelope times from 0ms to 14.7 seconds per each stage. Each envelope provides multiple envelope curve selections, and can be one-shot, normal envelope types, or looping.
And did you notice they can morph? Yes, that’s right! Envelopes can morph and modulate between two individual values per each envelope stage.
The analog multimode filter provides six primary filter types being: 4-pole low-pass, 2-pole low-pass, 1-pole low-pass, 2-pole band-pass, 2-pole high-pass, 2-pole notch, with some additional selections to define a filter’s self resonance response, and also to recreate a very unique characteristic of the EMS VCS type filter modulation. The filter can track notes played on the keyboard, has a dedicated LFO, Envelope, and one additional modulation source.
And finally the analog VCA before all those sweet sounds hit our ears. The Amplifier VCA has a dedicated morphing envelope as well.
This synthesizer covers so much sonic territory from analog to digital sounds, traditional to experimental, bass, leads, solos, percussion, effects, drones, ambient sounds, and those yet to be discovered.
Oscillators (1-4)
- Frequency Range: <0.01 Hz to 20.00 kHz
- Analog Modeled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
- Pulse Width Range: 1% to 99%
- Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Digital Waveforms: 500
- Number of Digital Waveforms per Oscillator: 2
- Waveform Modulation Types: PWM, Slice, Fade
- Waveform Start: 0 to 255 samples
- Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Waveform Modulation Amount: 0 to 100
- Octave Range: -7 to +5
- Pitch Tuning: Semitones
- Fine Tuning: 128 steps per semitone
- Constant Beat Detuning: -/+5.00Hz
- Paraphonic Modes: 8 total
- Sync: Off/On, 0-360 degrees
- Glide Time per Oscillator: 0ms to 14.7 seconds
- Key Tracking: On/Off
Oscillator frequency modulation (1-4)
- Modulation 1 Source: LFO
- Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Modulation 2 Source: Envelope
- Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope
- Total Modulation Range: 0.5 to 10 octaves
- Individual Modulation Amounts: -99 to 100
LFO (1-4, Filter)
- Analog Modeled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
- Digital Waveforms: 500
- Waveform Start: 0 to 255 samples
- Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
- Fine Tuning: 128 steps per semitone
- Key Tracking: On/Off
- Sync: Off/On, 0-360 degrees
- Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope, Filter LFO
- Total Modulation Range: 1 to 10 octaves
- Modulation Amount: -99 to 100
Envelopes (1-4, Filter, Amplifier)
- Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
- Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
- Normal Envelope Contours: 5
- One-Shot Envelope Contours: 4
- Looping: On/Off with repeat time
- Envelope Times per Stage: 0ms to 14.7 seconds
- Sustain Level: 0 to 100%
- Key Sync: on/off (retriggering)
- Attack Reset: Off/On
- Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y
Mixer
- Channels: 4
- Audio Sources:
- Oscillator (1-4)
- Oscillator (1-4) controlled by Envelope (1-4)
- Oscillator (1-4) controlled by LFO (1-4)
- Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
- White-Noise
- White-Noise controlled by Envelope (1-4)
- Pink-Noise
- Pink-Noise controlled by Envelope (1-4)
- Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
- Automix X:Y Location Stages: 4
- Automix Stage Times: 0ms to 14.7 seconds
- Mod Mix X:Y Location Stages: 2
- Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope, Filter Envelope
- Mod Mix Amount: 0 to 100
- Output Gain: 1.00x to 5.00x
Analog filter
- Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
- Filter Frequency Range: approximately 20 Hz to 20 kHz
- Resonance: 0 to 100
- Key Tracking: Off/On
- Modulation 1 Source: LFO
- Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4, Filter Envelope
- Modulation 2 Source: Envelope
- Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4, Envelope-4
- Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2, Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
- Individual Modulation Amounts: -99 to 100
- Analog amplifier (see also Envelope parameters)
- Additional Envelope Type: Drone
- Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, ModWheel, Stick X/Y, LFO-4, Envelope-4
Keyboard/sequencer
- Keys: 29
- Scales: 29
- Linear Transpose: -12 to +16
- Scale Transpose: -12 to +16 notes
- Octave Reiterations: -3 to +3
- Tempo: 10 to 250 BPM
- Swing: 50% to 75%
- Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
- Max Steps per Sequence: 16
- Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
- Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
- Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
- Loop Point: 1 to 16 steps
Memory
- Max Number of Sounds and Sequences: 999
- Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File
MIDI
- Channels: 1-16
- MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel
- MIDI Sync: Clock, Start, Stop
- Input/output: 15V DC input (center-pin positive), MIDI (IN/THRU/OUT), 1/4” unbalanced Audio Out
- Dimensions: 18.25” x 11.0” x 3.5”
- Weight: 5.0lbs
How much is my shipping?
Shipping is automatically calculated before you submit your payment information. Simply add items to your cart and proceed to the checkout page, where you'll be offered shipping options and their prices. In the UK it's normally around £4 for order values under £150, and free above that. Shipping to mainland EU is typically between £7 and £20, depending on the shipping method and the size and weight of the order.
Do you ship to my country?
Almost certainly - the site will give you an estimate of shipping costs if you add an item to the cart and then enter your country and postcode. If you have specific requirements (such as if you prefer UPS over FedEx, for example) then let us know in advance and we'll try to work something out for you.
Shipping methods
We use a combination of Parcelforce, DPD, Royal Mail and UPS for the UK, and for international orders it's either Royal Mail, UPS, DHL or FedEx depending on where you are in the world. If you have a particular preference then try to let us know BEFORE you order so we can look into it for you. Please note that there may occasionally be additional shipping charges if you live in a remote area, depending on what surcharges are applied by the shipper. We'll get in touch to discuss this with you in such cases.
Dispatch times
For UK orders, we normally dispatch the same working day if we get the order before 15:00. If you have a really urgent situation then of course drop us an email before ordering and we'll always do our absolute best to accommodate you.
For international orders, we normally dispatch the same day if we get the order before 13:00 but again, occasionally it might be the next day before we can send it out, and sometimes FedEx or UPS may come a little earlier than scheduled which would also push an order into the next day.
Shipping times
Since April 2020 the couriers we use have suspended guarantees for shipping times, so even though we're paying them for priority services - 24-48 hours for most of the world - in practice it's often an extra day on top and sometimes it can be longer.
There is absolutely nothing we can do about this unfortunately. If you are outside the UK and it's a life-or-death situation where you absolutely MUST have that passive mult for the next day then... it may be better to find a local supplier.
Saturday shipping
If you're in the UK and you order before 15:30 on a Friday then we can send something for a Saturday delivery (NB: this applies to UK mainland addresses only). The success rate with DPD is about 95% so it's worth a punt most of the time. Please note that if you select Saturday shipping on an order placed earlier in the week, we'll wait until Friday to ship it.
Pre-orders
If a product is listed as a pre-order, it means we've ordered it from the supplier but it's not physically in stock yet. The product listing will include an estimated shipping date based on the best information we have from the supplier, but do bear in mind this is subject to change and is not a guaranteed date.
If you place an order containing a mixture of in-stock and pre-order items, we'll normally hold off on shipping anything until the pre-order item(s) have arrived, rather than splitting it into multiple shipments. If you need the in-stock items sooner, we'd recommend placing separate orders. As always, please get in touch if you have questions.
Product Overview
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It’s the best of both worlds… The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO’s, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analog circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analog filter, VCA, and final output, as these provide the best sonic qualities.
The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.
The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO’s, six morphing envelopes, six primary multimode analog filter types, a main analog VCA, and numerous internal modulation routings and VCA’s controlling modulation amounts.
It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.
The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it’s own unique self-contained instrument.
The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analog and digital waveform generations. With features like oscillator Sync, PWM, our new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO’s, envelopes, and VCA’s per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.
The five LFO’s provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO’s, complex envelopes, or audio rate oscillators.
The six morphing envelopes are really something else. With each envelope providing initial Delay, Attack, Hold, Decay, Sustain, Release, as well as a loop time when they are set to Repeat. Ultra precise and snappy they provide envelope times from 0ms to 14.7 seconds per each stage. Each envelope provides multiple envelope curve selections, and can be one-shot, normal envelope types, or looping.
And did you notice they can morph? Yes, that’s right! Envelopes can morph and modulate between two individual values per each envelope stage.
The analog multimode filter provides six primary filter types being: 4-pole low-pass, 2-pole low-pass, 1-pole low-pass, 2-pole band-pass, 2-pole high-pass, 2-pole notch, with some additional selections to define a filter’s self resonance response, and also to recreate a very unique characteristic of the EMS VCS type filter modulation. The filter can track notes played on the keyboard, has a dedicated LFO, Envelope, and one additional modulation source.
And finally the analog VCA before all those sweet sounds hit our ears. The Amplifier VCA has a dedicated morphing envelope as well.
This synthesizer covers so much sonic territory from analog to digital sounds, traditional to experimental, bass, leads, solos, percussion, effects, drones, ambient sounds, and those yet to be discovered.
Oscillators (1-4)
- Frequency Range: <0.01 Hz to 20.00 kHz
- Analog Modeled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
- Pulse Width Range: 1% to 99%
- Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Digital Waveforms: 500
- Number of Digital Waveforms per Oscillator: 2
- Waveform Modulation Types: PWM, Slice, Fade
- Waveform Start: 0 to 255 samples
- Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Waveform Modulation Amount: 0 to 100
- Octave Range: -7 to +5
- Pitch Tuning: Semitones
- Fine Tuning: 128 steps per semitone
- Constant Beat Detuning: -/+5.00Hz
- Paraphonic Modes: 8 total
- Sync: Off/On, 0-360 degrees
- Glide Time per Oscillator: 0ms to 14.7 seconds
- Key Tracking: On/Off
Oscillator frequency modulation (1-4)
- Modulation 1 Source: LFO
- Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Modulation 2 Source: Envelope
- Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope
- Total Modulation Range: 0.5 to 10 octaves
- Individual Modulation Amounts: -99 to 100
LFO (1-4, Filter)
- Analog Modeled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
- Digital Waveforms: 500
- Waveform Start: 0 to 255 samples
- Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
- Fine Tuning: 128 steps per semitone
- Key Tracking: On/Off
- Sync: Off/On, 0-360 degrees
- Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope, Filter LFO
- Total Modulation Range: 1 to 10 octaves
- Modulation Amount: -99 to 100
Envelopes (1-4, Filter, Amplifier)
- Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
- Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
- Normal Envelope Contours: 5
- One-Shot Envelope Contours: 4
- Looping: On/Off with repeat time
- Envelope Times per Stage: 0ms to 14.7 seconds
- Sustain Level: 0 to 100%
- Key Sync: on/off (retriggering)
- Attack Reset: Off/On
- Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y
Mixer
- Channels: 4
- Audio Sources:
- Oscillator (1-4)
- Oscillator (1-4) controlled by Envelope (1-4)
- Oscillator (1-4) controlled by LFO (1-4)
- Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
- White-Noise
- White-Noise controlled by Envelope (1-4)
- Pink-Noise
- Pink-Noise controlled by Envelope (1-4)
- Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
- Automix X:Y Location Stages: 4
- Automix Stage Times: 0ms to 14.7 seconds
- Mod Mix X:Y Location Stages: 2
- Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope
- Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope, Filter Envelope
- Mod Mix Amount: 0 to 100
- Output Gain: 1.00x to 5.00x
Analog filter
- Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
- Filter Frequency Range: approximately 20 Hz to 20 kHz
- Resonance: 0 to 100
- Key Tracking: Off/On
- Modulation 1 Source: LFO
- Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4, Filter Envelope
- Modulation 2 Source: Envelope
- Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4, Envelope-4
- Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2, Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
- Individual Modulation Amounts: -99 to 100
- Analog amplifier (see also Envelope parameters)
- Additional Envelope Type: Drone
- Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, ModWheel, Stick X/Y, LFO-4, Envelope-4
Keyboard/sequencer
- Keys: 29
- Scales: 29
- Linear Transpose: -12 to +16
- Scale Transpose: -12 to +16 notes
- Octave Reiterations: -3 to +3
- Tempo: 10 to 250 BPM
- Swing: 50% to 75%
- Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
- Max Steps per Sequence: 16
- Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
- Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
- Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
- Loop Point: 1 to 16 steps
Memory
- Max Number of Sounds and Sequences: 999
- Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File
MIDI
- Channels: 1-16
- MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel
- MIDI Sync: Clock, Start, Stop
Technical Specs
Shipping Details
How much is my shipping?
Shipping is automatically calculated before you submit your payment information. Simply add items to your cart and proceed to the checkout page, where you'll be offered shipping options and their prices. In the UK it's normally around £4 for order values under £150, and free above that. Shipping to mainland EU is typically between £7 and £20, depending on the shipping method and the size and weight of the order.
Do you ship to my country?
Almost certainly - the site will give you an estimate of shipping costs if you add an item to the cart and then enter your country and postcode. If you have specific requirements (such as if you prefer UPS over FedEx, for example) then let us know in advance and we'll try to work something out for you.
Shipping methods
We use a combination of Parcelforce, DPD, Royal Mail and UPS for the UK, and for international orders it's either Royal Mail, UPS, DHL or FedEx depending on where you are in the world. If you have a particular preference then try to let us know BEFORE you order so we can look into it for you. Please note that there may occasionally be additional shipping charges if you live in a remote area, depending on what surcharges are applied by the shipper. We'll get in touch to discuss this with you in such cases.
Dispatch times
For UK orders, we normally dispatch the same working day if we get the order before 15:00. If you have a really urgent situation then of course drop us an email before ordering and we'll always do our absolute best to accommodate you.
For international orders, we normally dispatch the same day if we get the order before 13:00 but again, occasionally it might be the next day before we can send it out, and sometimes FedEx or UPS may come a little earlier than scheduled which would also push an order into the next day.
Shipping times
Since April 2020 the couriers we use have suspended guarantees for shipping times, so even though we're paying them for priority services - 24-48 hours for most of the world - in practice it's often an extra day on top and sometimes it can be longer.
There is absolutely nothing we can do about this unfortunately. If you are outside the UK and it's a life-or-death situation where you absolutely MUST have that passive mult for the next day then... it may be better to find a local supplier.
Saturday shipping
If you're in the UK and you order before 15:30 on a Friday then we can send something for a Saturday delivery (NB: this applies to UK mainland addresses only). The success rate with DPD is about 95% so it's worth a punt most of the time. Please note that if you select Saturday shipping on an order placed earlier in the week, we'll wait until Friday to ship it.
Pre-orders
If a product is listed as a pre-order, it means we've ordered it from the supplier but it's not physically in stock yet. The product listing will include an estimated shipping date based on the best information we have from the supplier, but do bear in mind this is subject to change and is not a guaranteed date.
If you place an order containing a mixture of in-stock and pre-order items, we'll normally hold off on shipping anything until the pre-order item(s) have arrived, rather than splitting it into multiple shipments. If you need the in-stock items sooner, we'd recommend placing separate orders. As always, please get in touch if you have questions.
